Gab with us at Gabby’s!

Put those books aside, Book & Media Studies students – your Student Association is having a pub night!

Join us on Wednesday, October 16th from 6pm to 9pm at Gabby’s (192 Bloor Street West) in the upstairs back room.

All BMS staff, faculty, and students are welcome to attend, and all beverages will be courtesy of the Student Association.

“The Cultural Origins of the Printing Revolution” Lecture on Thursday

Note: This information was copied and pasted from http://bookhistory.ischool.utoronto.ca/TCB_program.html. Visit this link to learn about the Toronto Centre for the Book’s other lectures this year!

Thursday 3 October, 4:15 p.m.

Faculty of Information, 140 St. George Street, Bissell Building, Room 728

Adrian Johns (University of Chicago)

“The Cultural Origins of the Printing Revolution”

In Association with the iSchool

Historians of the book have reason to be happier than most humanists these days. We have become accustomed to noting that our field has flourished like few others in the last generation. It has staked a claim to importance in every branch of historical inquiry, and its practitioners create the kind of bold arguments and challenging claims that are the hallmark of a thriving intellectual enterprise. It is all the more striking, then, that when it comes to the field’s own signature problem – the advent and impact of the printed book in Renaissance Europe – boldness has arguably been less apparent than timidity. Excellent work by Andrew Pettegree and others notwithstanding, the fundamental concepts and convictions that reign today are still aligned with those established by Lucien Febvre and Henri-Jean Martin when they inaugurated the endeavour half a century ago. So what happens if we resolve to make good on the field’s promise by tackling the Gutenberg revolution itself in the spirit of our more radical historiographical ambitions? How many of our current approaches will pass that most stringent – yet at the same time most essential – test? And how far will basic understandings of the event itself be transformed? The aim of this lecture is to pose these questions. In answering them, it will suggest a novel account of what remains one of the most resonant episodes in Western history.

Adrian Johns was educated in Britain at the University of Cambridge, and he came to the United States in the late 1990s. He taught at the University of California, San Diego and the California Institute of Technology before joining the University of Chicago, where he is currently Allan Grant Maclear Professor in the Department of History and the Committee on Conceptual and Historical Studies of Science. A specialist in the history of the book and the history of science, he has taught and published widely on both subjects. He is the author of The Nature of the Book (1998), Piracy (2009), and Death of a Pirate (2010). A recent Guggenheim Fellow, he is currently working on a history of the global industry that has arisen to police information.


So You Think You Can Print?

Lynch-Dunphy Apprenticeship Program

DESCRIPTION:

The Lynch-Dunphy Apprenticeship Program is a 2 year program with 2 positions, one Journeyman, and one Apprentice.  Under the tutelage of the Master Printer, students will learn about printing history and culture at the Printing Room.  The purpose of the program is to engage Book & Media Studies students through hands-on learning.  During and at the end of the program, students will be able to connect their knowledge of printing history with the experience.

POSITIONS/DUTIES:

An apprentice will:

  • Learn how to identify parts of a press and tools, complete a form layout and setup and operate a hand press.
  • Learn about types of paper, designing images using ornaments, and the history of typefaces.
  • Assist the Master Printer and Journeyman with ongoing commissions and projects.

A journeyman will:

  • Assist the Master Printer with ongoing commissions and projects.
  • Mentor the Apprentice and provide guidance on projects.
  • Provide demonstrations of presses and give tours.

PROGRAM REQUIREMENTS:

In order to receive an acknowledgement of completion for the program, a co-curricular record and the honorarium, an apprentice must:

  • Complete 3 hours each week for 20 weeks.  Students will be required to sign in and record their hours.
  • Complete two years of the program and become a Journeyman.  Each year consists of 10 weeks in the Fall term and 10 weeks in the Winter term.

An Apprentice must:

  • Complete a project from design to print under the supervision of the Master Printer.
  • Pass an oral test, identifying parts of a press and tools.

A Journeyman must:

  • Complete a research project on a topic related to printing history.
  • Pass an oral test, providing a full demonstration to the Master Printer and a faculty member.
  • Complete 3 quartos.

HONORARIUM:

Upon completion of the required hours and work, students will receive $250 after one term.  In addition, students will receive a letter from the Book & Media Studies Coordinator, acknowledging their participation and a co-curricular record.

SAFETY:

Students will be trained to ensure proper procedures are followed at all times.  In addition, the Master Printer will be supervising all work in the Printing Room.  For safety reasons, only 3 people (maximum) are allowed to work in the Printing Room.   Please contact Silvia Vong if you have more questions about the application process.

ELIGIBILITY:

For eligibility, a student must be:

  • A second or third year student for the Apprentice position,
  • A Book & Media Studies student.
  • Available on weekends and have flexibility with their schedule.

APPLICATION:

Students interested in applying must submit a statement of interest and a resume to silvia.vong@utoronto.ca.  The deadline for submission will be September 23, 2013.  Once all applications are received, a committee will review submissions.  An email will be sent to students selected for the program.   Positions begin on October 12, 2013 at 12:00 p.m.